However if the facing length is shorter on a different mouthpiece of the same tip opening, there is a good chance that you might find it more resistant or harder to play low notes. If this is the case you might want to try a larger tip opening of that make, or use a harder reed. If the facing length is longer on a different mouthpiece of the same tip opening, there is a good chance that you might find it more easy blowing. In reality, what this means is that just because, for instance, you are comfortable with an Otto Link 7*, you may not find that every other 7* or. Ideally to compare mouthpieces you would also want to be comparing the facing length and curve as well as the chamber size and baffle dimensions. This is because tip opening alone is only one part of the story. Try these tip openings with 2 1/2 to 3 reeds. 060 tip opening), will give good results for most players. The Runyon Custom mouthpiece, with 5 to 7 facing (.050 to. One important thing to be aware of is that the response you get from any two saxophone mouthpieces with the same tip opening can vary enormously. A mouthpiece of medium chamber volume and tip opening will give the best results. There are quite a few mouthpiece comparison charts out there, but most are not very user-friendly so I created this one based on some of the most popular tenor mouthpieces used by saxophone players today.
SOPRANO SAX MOUTHPIECE FACING CHART FREE
Beginners Starter Pack Free with books & DVD.Arranging Composing Voicing, backings, rhythm.Beginners’ Impro & Theory New! Learn about chords & scales.Beginners’ Improvising & Theory In the impro & theory section >.Saxophone Effects Growling, bending, false fingerings.Tone & Sound Vibrato, subtone, altissimo, embouchure, tuning.Mouthpieces Comparisons, charts, materials,.Players Great jazz & rhythm & blues players.
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Music Albums, music composed for TV, film, radio & games.Credits Pete Thomas Credits and discography.Biog | Press Pete Thomas: biography press.its still bigger than me (as is the sax in general) but I am growing in ability to flex tone and it sounds (to me) much closer to where I want to be. wow what a phenomenal difference!!! Now its all I play. Firstly, the S80 was so much easier to play. Anyway, I recently bought a box of Vandoren 2s. Don't ask me why I tried with 3s I was never told any different. (I know Ive been really blessed with some hugely generous friends in my life!! ) but surprise surprise I could never blow it. but basically a posh version of my TJ 4C factory original (probs gonna be lambasted for that comment ) However, years ago a friend - ex sax player long story, for another time - gifted me his Vandoren Jumbo Java A45. At the beginning of lockdown, I decided to invest in playing again (so every day, for several hours, for 6 months - is about where I'm at!!) In July I visited my local woodwind and brass and after trying some mouthpieces opted for a Selmer s80 c* which was fab, easy to blow and a nice warm / classical tone. Sadly, I never really learnt to play and the sax spent most of its life under the bed. I have an old Trevor James Revolution alto that came with a factory version of a 4C. The reed combo will make a huge difference too. Its an interesting journey and mouthpieces are only part of it.